This is because the TVs have been set up to display the colors differently. Some look really red while some look very blue or green.
USING SPYDER 5 WITH DISPLAYCAL TV
I am sure everyone has gone into a TV store and seen a bank of TVs all playing the same show, but the colors of the show look (really really) different on each TV even though they are displaying the same exact image. Each manufacturer of monitors sets them up to display color differently, cell phone manufacturers do the same.Īn example. The real differences in experience are from the various monitors being used by the viewer. I have on more than one occasion been thankful for running a calibrated workflow when I have had a client raise colour issues. At least you start from a consistent baseline, tonal and colour, and if you find this to be inaccurate then edit the profile to compensate. My thoughts are that it is better to profile than not. When you consider the complex variations in this workflow and the organic variations of the viewer it's no wonder that some experience a less than optimal outcome. When displayed the file is modified using a device (monitor, printer etc.) profile to compensate for the characteristics of the device and possibly the environmental factors, light & colour in the room, as well. The idea is to produce an image file in a defined, device independent, colour space like Adobe RGB. Expecting any one device to profile extremely accurately with no editing of the profile is optimistic. Monitors and even printers can vary in how they display your images, but you have to make sure that your primary workstation is color true north.Īchieving colour accuracy from capture to view is an extremely complex task requiring expertise and time to get spot on. If your portraits have their colors off and your subjects have a slightly green tint to their skin, or a little too much magenta in the whites of their eyes, you've got little to no chance. I believe it to still be true that one of the highest commendations for a photographer today is being printed in a respected publication. It goes without saying that fashion and beauty photography require perfect representation of all the colors on display and high-end retouchers take it very seriously indeed, but even photojournalistic or ordinary portraiture too. they all need true to life colors, but even portraiture. Well, yes fine, product photography must have accurate colors, but it isn't crucial elsewhere in photography is it? I'm sorry figurative convenient questioner, but it is. Needless to say, there is no room for inaccuracy, particularly when that inaccuracy is sheer laziness on the photographer's part. This is even more crucial when the product is in the fashion arena and the colors are not only carefully selected in the design phase, they are often thematic and part of a brand's identity. Anyone working with any sort of product photography will tell you of the essential nature of accurate colors colors that have been very carefully chosen by the design team of that product. However, no purchase in my career has had a more important impact on my work.Ī large portion of my work for several years has been commercial photography, with a strong focus on watches. Nevertheless, parting with my case to buy one of these little robots was neither exciting nor welcome. I love Datacolor and their Spyder range is for all intents and purposes the industry standard for anyone working with colors on a monitor. I furrowed my brow and debated a print error before dejectedly placing it in my loft, where it remains in the dark a lonely relic of my days uncalibrated.Īs the years rolled on, I realized the error of my ways and begrudgingly invested in a Datacolor Spyder5. That'd have been ideal had my foreground been grass, but it wasn't, it was rapeseed which is yellow. It was underexposed by about a stop (a problem for another article), but worse, the foreground was green. It arrived at my front door and I excitedly de-robed it to marvel at its beauty in physical form. I researched the best print company to go with and separated with my hard earned coins to have my artwork made. So much so, I decided to have it printed for my dear Mother who had told me how much she'd like it on her wall. I maintain the image is unambiguously crap, but at the time I was pleased with the photograph and elated with the recognition. Early on in my photographic endeavors, when I was armed with a Canon Rebel XT and a kit lens, I took a landscape which Flickr made their homepage image for a week.
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